Film Stocks Master List — the Canon of Top Stocks & Recipe Coverage

The reference canon of the most important film stocks per manufacturer, with this bank's coverage status. Use this to decide what to emulate next.

Datasheets: official technical datasheets for nearly every stock below (46 PDFs, characteristic curves, spectral sensitivity, granularity) are archived in X-T5/_reference-sources/datasheets/, organised by manufacturer. Gaps are listed in that folder's README.

Coverage legend: - ✅ original. Validated/research-derived recipe in X-T5/originals/ - 📗 reference. Attributed recipe in X-T5/reference-recipes/ - 🔎 available, a known X-Trans V recipe exists (Fuji X Weekly unless noted) but isn't in the bank yet - 🔶 IV-only, only an X-Trans IV recipe exists; needs porting (raise CCFXB one notch, see x-trans-v-and-conversion.md) - ❌ gap, no known faithful recipe; original-derivation candidate - ⚠interpretation, an original in X-T5/originals/ that deliberately departs from the stock (e.g. the AP set, retuned for Indian skin tones). Listed here so the stock's coverage is complete, but it does not count as neutral emulation coverage of that stock

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Fujifilm

Stock	Type	ISO	Signature look	Coverage
Velvia 50	Slide	50	Extreme saturation, royal-blue skies, landscape king (1991)	📗 vivid-velvia
Provia 100F	Slide	100	Balanced pro slide standard	📗 provia-positive
Astia 100F	Slide	100	Soft skin-optimised slide (discont. 2012)	🔶 (FXW Astia recipes are IV-era)
Pro 400H	C-neg	400	Cool cyan-green pastel, wedding classic (discont. 2021)	✅ fujicolor-pro—h
Superia X-TRA 400	C-neg	400	The green-leaning consumer "Fuji look"	✅ fujicolor-superia—
Superia 100	C-neg	100	Basis of Classic Neg. itself	🔎 "Fujicolor Superia 100"
Fujicolor C200	C-neg	200	Budget everyday Fuji colour	🔎 ("Fuji— Industrial" is the nearest V recipe)
Reala 100 / Reala Ace	C-neg	100	4th cyan layer, true-to-life colour	📗 reala-ace + fujifilm-negative
Fujicolor Super HG	C-neg	var	Bright clean 90s consumer colour	📗 fujicolor-super-hg-v2
Natura 1600	C-neg	1600	Japan-only low-light legend (2003–2017)	📗 fujicolor-natura—
Neopan Acros 100 (II)	B&W	100	Ultra-fine grain, rich blacks	✅ fujifilm-acros-100
Neopan 1600	B&W	1600	High-speed gritty B&W (discont.)	❌
Eterna cine stocks	Cine	var	The Eterna sim's source family	❌ corrected 2026-07-27 — was marked ✅ "covered indirectly". It is not covered: no recipe in this bank emulates any Eterna stock. Recipes that use the Eterna simulation are not coverage of the film it is named after. Full line catalogued in the motion-picture survey
Reala 500D (cine)	Cine	500	4th colour layer; the fastest daylight-balanced cine stock ever made	❌ — see the motion-picture survey

Kodak

Stock	Type	ISO	Signature look	Coverage
Portra 160	C-neg	160	Warm-natural low-ISO portrait	📗 kodak-portra-160-v2
Portra 400	C-neg	400	The modern portrait standard	✅ kodak-portra-400 (+ 📗 v2, reggies; + ⚠️ aps-portra — Indian-skin re-derivation, not a neutral emulation)
Portra 800	C-neg	800	Low-light portrait warmth	📗 kodak-portra-800-v3
Ektar 100	C-neg	100	Sharpest, most saturated C-neg — "digital-like"	✅ kodak-ektar-100
Gold 200	C-neg	200	Warm sunny nostalgia (film demand #4)	✅ kodak-gold-200
UltraMax 400	C-neg	400	Punchy drugstore all-rounder	✅ kodak-ultramax-400 (+ 📗 reference for the minilab-print look; + ⚠️ aps-ultramax — Indian-skin re-derivation)
ColorPlus 200	C-neg	200	Budget vintage-leaning colour	⚠️ kodak-colorplus— — characteristic only; no Kodak datasheet exists, differentially derived from Gold 200
Kodachrome 25	Slide	25	Finest-grain classic Kodachrome	📗 kodachrome-25
Kodachrome 64	Slide	64	THE 20th-century documentary slide	✅ kodachrome-64 (+ 📗 reference, vintage-kodachrome for the 1st era; + ⚠️ aps-kodachrome — Indian-skin re-derivation)
Ektachrome E100	Slide	100	Cooler, cleaner NatGeo slide (revived 2018)	✅ kodak-ektachrome-e100 (+ 📗 thommys)
Tri-X 400	B&W	400	THE gritty photojournalism B&W	✅ kodak-tri-x-400
T-Max 100	B&W	100	Modern tabular-grain, clean & sharp	📗 kodak-t-max-100 (Hard Tone & Soft Tone)
T-Max 400	B&W	400	Modern tabular-grain, medium speed	❌
T-Max P3200	B&W	800–3200+	Push-process news film	📗 kodak-t-max-p3200
Plus-X 125	B&W	125	Classic mid-century pictorial B&W	📗 kodak-plus-x-125
Vision3 50D	Cine	50	Cleanest, finest-grain daylight cinema negative	✅ kodak-vision3-50d
Vision3 250D	Cine	250	Daylight cinema negative, everyday use	✅ kodak-vision3-250d
Vision3 200T	Cine	200	Tungsten cinema negative, medium speed	✅ kodak-vision3-200t (added 2026-07-25 — completes the Vision3 line)
Vision3 500T	Cine	500	Tungsten cinema negative, night/interior	✅ kodak-vision3-500t
Ektachrome 100D (cine)	Cine reversal	100	Slide-film cinema; used in Poor Things (2023)	✅ kodak-ektachrome-100d
Double-X 5222	Cine B&W	250/200	THE classic B&W cinema stock (1959–present); Raging Bull, Schindler's List	✅ kodak-double-x-5222
2383 Print Film	Cine print	—	Teal-orange theatrical projection look	✅ kodak-2383-print
Vericolor III 160	C-neg	160	80s pro portrait neg (Portra's ancestor)	🔎 "Kodak Vericolor III 160"

Ilford

Stock	Type	ISO	Signature look	Coverage
HP5 Plus 400	B&W	400	Balanced, forgiving reportage	✅ ilford-hp5-plus-400
FP4 Plus 125	B&W	125	Fine-art mid-speed, luminous shadows	✅ ilford-fp4-plus-125 (+ 📗 reference — Monochrome base, lifted shadows)
Ortho Plus 80	B&W ortho	80	Orthochromatic — blind to red; reds render near-black	✅ ilford-ortho-plus (added 2026-07-26) — ⚠️ partial-fidelity
Delta 100	B&W	100	Modern tabular-grain precision, ISO 100	✅ ilford-delta-100 (added 2026-07-25)
Delta 400	B&W	400	Modern tabular-grain precision, ISO 400	✅ ilford-delta-400 (added 2026-07-25)
Delta 3200	B&W	3200	Grainy available-light B&W	✅ ilford-delta-3200
Pan F Plus 50	B&W	50	Ultra-fine slow B&W, deep contrast	✅ ilford-pan-f-plus-50
XP2 Super 400	B&W (C-41)	400	Smooth chromogenic B&W	✅ ilford-xp2-super-400
SFX 200	B&W infrared-ish	200	Near-IR drama	✅ ilford-sfx-200 — partial-fidelity: ACROS+R gives the near-black skies but inverts the pale-foliage effect (the red edge above ~700 nm is removed by the sensor's IR-cut filter). Why

CineStill (repackaged Kodak cine stock, remjet removed)

Stock	Type	ISO	Signature look	Coverage
800T	C-neg (tungsten)	800	Neon night, red halation	📗 cinestill-800t (+ 🔎 "Pushed CineStill 800T")
400D	C-neg	400	Soft daylight cine colour	📗 cinestill-400d-v2 (+ 🔎 v1)
50D	C-neg	50	Finest-grain daylight cine	❌ (V recipe not confirmed)

Agfa / others

Stock	Type	ISO	Signature look	Coverage
Agfa Ultra 100	C-neg	100	Hyper-saturated cult colour	🔎 "Agfa Ultra 100 v2"
Agfa Scala 200	B&W slide	200	Silvery B&W transparency	🔎 "Agfa Scala"
Agfa APX 100/400	B&W	100/400	Classic European B&W	❌
Ferrania P30	B&W	80	Italian cinema B&W, deep blacks	❌
Fomapan 100/400	B&W	100/400	Budget Czech B&W, vintage curve	❌
Lomography 800	C-neg	800	Saturated toy-camera colour	❌
Konica Centuria	C-neg	var	90s Japanese consumer colour	❌

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🎬 Motion-picture stocks: the full survey (added 2026-07-27)

The Kodak cine stocks are listed under Kodak above. This section is the wider motion-picture universe, surveyed against Wikipedia's List of motion picture film stocks (the standing reference, checked via the MediaWiki API) plus manufacturer and trade sources. It exists because the bank had seven cinema originals and all seven are Kodak, a real blind spot rather than a considered scope.

The standout gap: Fujifilm's own cine line

The bank uses the ETERNA film simulation constantly and has never made a recipe for the ETERNA film stocks it is named after. Fujifilm ceased all motion-picture film production on 31 March 2013, so these are historic, but they are the direct ancestors of a simulation on the camera, which makes them the most defensible cine gap in the bank.

Stock	Code	Intro	Note	Coverage
Eterna 500T	8573/8673	2004	The flagship — the stock the simulation is named for	❌ top priority
Eterna 250D	8563/8663	2006	Daylight companion	❌
Eterna 250T	8553/8653	2006	Tungsten mid-speed	❌
Eterna 400T	8583/8683	2005	Discontinued 2011	❌
Eterna Vivid 160T	8543/8643	2007	Higher-saturation variant line	❌
Eterna Vivid 250D	8546/8646	2010		❌
Eterna Vivid 500T	8547/8647	2009		❌
Reala 500D	8592/8692	2001	Fourth colour layer, and "the fastest daylight-balanced colour motion picture stock ever offered". Ties directly to the Reala Ace simulation	❌ high value
Super F-series	8522/8532/8562/8572	1999	F-64D, F-125T, F-250D, F-500T — the pre-Eterna generation	❌

Other manufacturers and lines

Stock / line	Status	Why it matters	Coverage
ORWO NC500 / UN54 / N74–N75	✅ in production (FilmoTec, Germany)	The only genuinely new colour cine negative in decades, plus a current B&W line. The one gap here that is a current stock rather than history	❌
Kodak Tri-X Reversal 7266	Available (16 mm)	B&W camera reversal — a projected positive, a different tonal class from every negative in the bank	❌
Kodak 2393	In production	The higher-saturation print stock; the natural companion to the bank's 2383	❌
Kodak Vision2 (5201/5205/5218)	Discontinued 2007–12	The 2000s look — between Vision and Vision3	❌
Kodak Vision (5246/5263)	Discontinued	The late-90s look	❌
Kodak EXR (5245/5248/5293/5296)	Discontinued 1989–2006	The 90s cinema look — a genuinely distinct era	❌
Kodak Plus-X Reversal 7265	Discontinued	B&W reversal, slower companion to Tri-X Reversal	❌
Agfa XT / Agfapan cine	Discontinued 1993	Last in the ASC Manual 7th ed.	❌ low priority
3M, DuPont, GAF/Ansco, Svema, Tasma, Forte, Slavich	Long discontinued	Historic completeness only	❌ not pursued

Recommended order, and the honest constraint

1. Eterna 500T 8573, the simulation's namesake. 2. Eterna 250D 8563. 3. Reala 500D 8592. 4. ORWO NC500 (the only current stock here). 5. Tri-X Reversal 7266. 6. Kodak 2393.

⚠The constraint that governs all of these. Fujifilm's cine datasheets are not in this bank's archive and Fujifilm no longer hosts them, so an Eterna recipe would start where ColorPlus started, at the weakest evidence tier, unless a datasheet is found. Theatrical footage is also structurally blocked as scan evidence (frame-grabs carry the DI grade, see the 2383 validation). Do not open these as datasheet-derived originals without first checking whether a Fujifilm cine datasheet is actually retrievable.

Priority queue: ✅ closed 2026-07-16

All six 2026-07-15 priority items are now covered: Ektar 100 and Pro 400H as datasheet-derived originals; CineStill 400D v2, Kodachrome 25, Plus-X 125, and T-Max 100 (Hard/Soft Tone) as attributed reference recipes; Delta 3200 and Pan F Plus 50 as datasheet-derived originals (the two ❌ derivation candidates). See CHANGELOG-archive.md (2026-07-15 entries) for details.

2026-07-25: Delta 100 / 400 closed

Ilford Delta 100 and Delta 400 are now datasheet-derived originals, the datasheets had been archived since 2026-07-15 but never actually read into a recipe. Extracting them turned up a real, citable contrast target for Delta 400 (Gbar 0.62, "normal contrast") and confirmed both films' shared T-grain lineage with Delta 3200, which is now documented as a cross-cutting axis in the B&W README. Both are datasheet-tier only, no real-film scan yet for either.

Next tier of gaps (candidates for a future pass)

1. Astia 100F 🔶. Port an X-Trans IV Astia recipe (CCFXB one notch up).
2. Superia 100 / Fujicolor C200 🔎. Fetch FXW recipes to round out the Fuji consumer-negative family.
3. Vericolor III 160 🔎. Portra's direct ancestor; fetch FXW recipe.
4. Agfa Ultra 100 / Scala 200 🔎. Fetch FXW recipes; Agfa datasheets (APX, Scala) already archived.
5. CineStill 50D ❌, no confirmed X-Trans V recipe found yet.
6. ~~XP2 Super 400 / SFX 200~~ ✅ closed 2026-07-25, both derived from the archived Ilford sheets, the second instance of the "datasheet archived but never read" pattern. SFX carries a documented partial-fidelity caveat (see its row above).
7. ~~FP4 Plus 125~~ ✅ closed 2026-07-25. Third instance of the archived-but-unread pattern. The sheet yielded the largest quantified latitude spec in the collection (six stops over / two under) and corrected four values in the attributed recipe.
8. Still archived-but-unread, in rough value order: Kentmere Pan 100/400 (Ilford, ❌ and not listed above), Fomapan 100/400 (❌ below), Agfa APX 100/400 + Scala 200x (❌ below). ~~Eight~~ Seven unread PDFs as of 2026-07-26 (Ortho Plus closed). Check _reference-sources/datasheets/ against originals/ before searching the open web for anything new.

Additional recipe source, Ross McConaghy (rossandhisjpegs.com): 6 of his creative looks are now in reference-recipes/ (ross-chrome-fog, -canned-heat, -fruit-pastel, -sherbet-lemon, -pumpkin-soup, -salted-slate). His site also has film-emulation recipes that map to open gaps above and could be fetched next: Ultramax Electro (UltraMax 400, Provia base), XP2 Electro (Ilford XP2 Super, Acros+R), Fujipop Trio 1–3 (Fujicolor C200, three bases), Lomo800 Electro (Lomography 800). Note: several of his recipes were published without a stated sensor generation. Apply the CCFXB IV→V check where the base is Classic Chrome/Neg/Eterna.

Sources: Fuji X Weekly X-Trans V index (fetched 2026-07-15/16), Ross McConaghy recipes (fetched 2026-07-16), existing bank contents, manufacturer datasheets.

Last updated: 2026-07-27